[Joel],
Hey, I looked at your Katrina poem and had a few observations. Keep in mind though that I don’t routinely read or write poetry, and so I can’t offer much help on your lyrical mechanics. But I can tell you about the impressions I felt as I read. Those were as follows:
· The poem conveyed some moving aspects of you. You must be sensitive (at least enough to write about this horrible storm). You have much knowledge of the storm – obviously, you’ve followed it on the news and were deeply impressed by it. And, you shouted, though you didn’t write it, that this story was much more to you than just a simple news item. Your line, “their stories deeper now than any soundbyte, deeper even than the water” was not just a bunch of words to maintain the poem’s rhythm. It impressed me more as an unshakable truth in your heart. The rest of the poem bears this out and left me believing that, hey, this writer genuinely cares about the people.
· It’s good that you mentioned race in your opening lines, particularly since questions abound of the possible racial implications surrounding the rescue forces’ tardiness.
· You put a face on the agony of these people when you described the black man and ebony woman wading in dirty waters, the only thing they could do.
· You used “shock value” effectively throughout, particularly so in the second stanza, where you talked of rotting feet and how prolonged starvation makes even them unimportant.
· I liked your bringing to bear the city’s history in the 5th stanza to try and answer the question: Why would anyone build a city in a place where the weather is so apt destroy it?
· In the 6th stanza, I enjoyed your little play on words. E.g. sloshing slowly through their fate. This has a subtle optimistic ring to it, though at first glance, it appears sad. Here’s what I mean. Fate in the traditional sense is usually an end point. We can only reach it, never escape it, and never move beyond it. But the irony in your wording suggests otherwise. Taylor Dayne sang a song in 1990 called “You Can’t Fight Fate,” emphasizing fate’s usual nature of binding a soul to a single, certain destiny. Yet in the image your words inspires, the people are indeed fighting their fates by making their way through the muddy waters which would kill them if they stopped sloshing. Though their ultimate fate may still be death, you inspired hope in their survival.
· Good too, that your poem wasn’t too “rhymey”.
Over all, though somewhat dated, it was good. If you’re going to publish it, which I think you should try to do, you’d best do it soon, before people forget about the storm.
More on your other works later.
I heard from [Kandi] today. She’s back in school and says she’s busy but enjoying her senior year immensely. Yep, summer’s over. I’m already looking forward to camp next summer.
More later,
Tom